The first notable players of tennis were William and Ernest Renshaw. William and Ernest were twins with Ernest being older by 15 minutes. The Renshaw’s were known to spend many hours training throughout the whole year which was uncommon at the time. Most players played tennis seasonally. They are considered by some to have started a tennis boom in England.
William is still one of the most successful players to ever play Wimbledon. He won the Wimbledon singles championship a record seven times, on three occasions defeating his brother in the final. His seven mens championships is still a record to this day. He holds the record with both Pete Sampras and Roger Federer who both have also won seven titles. Although, William did have a distinct advantage over both Pete and Roger in that back in the 1800’s the previous championships winner received an automatic birth into the finals. Thus William only needed to win one match compared to the seven needed to win the championship by modern players.
William, who played right handed, was considered a very powerful and technically sound player. He was mainly know for his serve, volley and overhead. His serve and volley tactics were innovative at that time with most players playing from the baseline. These traits set him apart from other players of his time and people started flocking to watch his matches. They even termed his style of play the “Renshaw Rush.” The “Renshaw Rush” eventually became known as serve and volley and has been employed by many players the world over ever since.
He was also the first president of the British Lawn Tennis Association.
While Ernest Renshaw seems to be overshadowed by his younger brother, he was still a remarkable player in his own right. Ernest Renshaw won the Wimbledon singles title one time. Had it not been for his brother he probably would have won a few more. Ernest also used the “Renshaw Rush” tactic while playing.
In partnership the brother won the doubles championship, first played at Oxford in 1879, seven times.
In the 1890s public interest began to wane. The Wimbledon Championships showed a financial loss in 1894 and 1895; the All England Club committee turned back to croquet to revive its flagging fortunes. The popularity of Wimbledon and tennis were reestablished by two more brothers: Reginald and Laurie Doherty. Reginald won the Wimbledon singles from 1897 to 1900. Laurie won from 1902 to 1906, took the U.S. championship in 1903, and won a gold medal in the Olympic Games in 1900.
The early 20th century
The first international team competition was the Davis Cup, officially called the International Lawn Tennis Challenge Trophy, which was donated by U.S. doubles champion Dwight Davis in 1900. Only Great Britain challenged the first year; it was defeated by the United States, Davis himself playing on the victorious team. There was no challenge in 1901, but in 1902 a strong British team that included the Doherty brothers went to America. The United States retained the trophy, but the following year the Doherty brothers helped Britain win the cup, which it retained the next three years.
The Doherty reign ended in 1906, but tennis was by then firmly established. The new star was Norman Brookes, the first in a long line of Australian champions and the first left-hander to reach the top. He won at Wimbledon in 1907 and again on his next visit, in 1914. He and his doubles partner, Tony Wilding of New Zealand, wrested the Davis Cup from Great Britain in 1907 and held it until 1911, arousing enduring public interest in Australia and New Zealand.
Of the women champions of the early 1900s, Dorothea Douglass (later Mrs. Lambert Chambers) won at Wimbledon seven times, beginning in 1903. In 1905, however, Douglass met her match in the first U.S. women’s champion to win at Wimbledon, May Sutton, who again defeated her at Wimbledon in 1907. The outbreak of World War I in 1914 interrupted tennis activities in Britain and Europe, but, with the exception of 1917, when a Patriotic Tournament was held, U.S. championships continued to be played.
The dominant champions of the early postwar years were Bill Tilden of the United States and Suzanne Lenglen of France. Tilden, the U.S. champion from 1920 through 1925 and again in 1929, won the Wimbledon title in 1920, 1921, and 1930. In the same period he also won 15 Davis Cup singles. Suzanne Lenglen reigned supreme over the ladies’ game from 1919 to 1925; were it not for the war, she might have started her international career earlier. She won the Wimbledon championship at her first attempt in 1919, from 1920 to 1923, and in 1925, not competing in 1924 because of illness. She developed a powerful as well as accurate game by practicing with men, and she needed far more freedom of movement than restrictive ladies’ fashion of that time allowed. Her first appearance at Wimbledon in a calf-length white dress with short sleeves and without petticoat or suspender (garter) belt caused a sensation.
France also made its mark on men’s tennis with the fabulous “Four Musketeers”—Jean Borotra, Henri Cochet, René Lacoste, and Jacques Brugnon. Among them, they monopolized the Wimbledon singles title from 1924 through 1929, won 10 French and 3 U.S. singles championships, and won 5 Wimbledon and 10 French doubles championships. They captured the Davis Cup from the United States in 1927 and held it until 1933.
A new female American star, Helen Wills (later Mrs. Moody and then Mrs. Roark), won the first of her seven U.S. singles titles in 1923; she went on to win at Wimbledon eight times between 1927 and 1938 and won the French singles four times between 1928 and 1932. (Wills wrote the article on lawn tennis for the 14th edition  of Encyclopædia Britannica.) Only once, early in her career, did she play against Lenglen, at Cannes on the French Riviera, where she lost in two straight sets. That historic meeting between the poker-faced Wills, in her trademark white eyeshade, and the flamboyant Lenglen, in her daring dress and silk bandeau, was chronicled in sports and society pages on both sides of the Atlantic. Wills’s great rival, however, was another American, Helen Jacobs, Wimbledon champion in Wills’s absence in 1936 and U.S. champion from 1932 to 1935.
The Englishman Fred Perry won the Wimbledon singles for three consecutive years (1934–36), the U.S. championship in 1933, 1934, and 1936, the Australian in 1934, and the French in 1935. From the United States came champions that included Sidney Wood, Ellsworth Vines, and Don Budge, who in 1938 became the first man to win all four major titles—the Australian, French, Wimbledon, and U.S.—in one season, a feat that came to be known as the Grand Slam. Alice Marble, the most aggressive net rusher the women’s game had seen to that time, won the U.S. singles in 1936 and from 1938 to 1940, and in 1939 she won the singles, doubles, and mixed doubles at Wimbledon, a “triple” previously accomplished only by Lenglen and Budge.
he development of the game was interrupted by World War II, but international tennis resumed in 1946 with American players again dominant, led by Jack Kramer, the U.S. champion of 1946–47 and Wimbledon champion of 1947 before he turned professional. He was succeeded by Pancho Gonzales, Bob Falkenburg, Frederick (Ted) Schroeder, J. Edward (“Budge”) Patty, and Dick Savitt. American women won every Wimbledon and U.S. singles title from 1946 through 1958, the string of champions including Pauline Betz, Louise Brough, Margaret Osborne DuPont, Doris Hart, Maureen Connolly, Shirley Fry, and Althea Gibson, the first black champion. Connolly, nicknamed “Little Mo,” won the three Wimbledon and three U.S. championships that she played between 1951 and 1954 and in 1953 became the first woman to achieve the Grand Slam.
Australia ruled men’s tennis in the 1950s and ’60s, winning the Davis Cup in 15 of 18 years. Among the Wimbledon and U.S. singles champions who played for Harry Hopman, the outstanding nonplaying Australian captain, were Frank Sedgman, Lew Hoad, Ken Rosewall, Mal Anderson, Ashley Cooper, Neale Fraser, Rod Laver, Fred Stolle, Roy Emerson, and John Newcombe.
The broadening international horizons of the game were reflected in the Wimbledon triumphs of players such as Jaroslav Drobny, an expatriate Czech, in 1954 and Alex Olmedo, from Peru, in 1959 and in the victories of Mexican Rafael Osuna in the U.S. championship in 1963, Manuel Santana of Spain in the U.S. championship in 1965 and Wimbledon in 1966, and Brazilian Maria Bueno, the U.S. champion four times and Wimbledon champion three times between 1959 and 1966.
Australian Margaret Smith Court was the second woman to win the Grand Slam, in 1970, and she set the all-time record for singles, doubles, and mixed doubles titles in the four major championships: 65 between 1960 and 1975, including 3 Wimbledon, 6 U.S., 5 French, and 11 Australian singles. Billie Jean Moffitt King set a record for career Wimbledon titles, winning 6 singles, 10 doubles, and 4 mixed between 1961 and 1979.
Professional and open tennis
As tennis began to establish its popularity, there was a need for professionals to coach and to organize, but, unlike real tennis, there were no competitions in which professionals could play. This changed in 1926 when Charles C. (“Cash and Carry”) Pyle, a successful sports promoter in the United States, offered Suzanne Lenglen $50,000 to go on a professional tour of America playing Mary K. Browne, who had been U.S. singles champion from 1912 to 1914. He also signed four male players. The tour, played in major arenas, drew large crowds and was a financial success. For the next 40 years, pro tennis consisted primarily of barnstorming tours that featured the reigning champion playing a recently signed amateur champion.
Starting in the 1930s, many of the amateur champions became barnstorming professionals. After World War II, Jack Kramer became the pro champion and in the early 1950s took over promotion of the pro tour. He kept raiding the amateur ranks, signing such stars as Frank Sedgman, Tony Trabert, Lew Hoad, and Ken Rosewall. They made money with the one-night stands, but their matches were virtually unreported. Although the traditional tournament circuit was avowedly amateur, leading players were paid substantial guarantees “under the table” in addition to expenses. For more than four decades there was discussion of having “open” competition between amateurs and pros to end the hypocrisy of “shamateurism,” but proposals were always defeated by conservative elements within the International Lawn Tennis Federation (ILTF—later the ITF). In 1967, however, two new professional groups were formed: the National Tennis League, organized by former U.S. Davis Cup captain George MacCall, and World Championship Tennis (WCT), founded by New Orleans promoter Dave Dixon and funded by Dallas oil and football tycoon Lamar Hunt. Between them they signed a significant number of the world’s top players, professional and amateur.
In 1967 a British proposal for a limited schedule of open tournaments was voted down by the international federation, but the British LTA refused to accept the verdict. In December 1967, despite the threat of expulsion from the ILTF, the LTA voted to abolish the distinction between amateurs and pros in their tournaments. This revolutionary step forced an emergency meeting of the ILTF in March 1968 in which 12 open tournaments were approved. The era of open professionalism in tennis dawned in 1968.
The open era
The first open tournament was the British Hard Courts at Bournemouth in April 1968, where the champions were Ken Rosewall and Virginia Wade. The first open Wimbledon was a joyous occasion, as many past champions who had been stripped of membership in the All England Club when they turned professional were welcomed back. The total prize money was £26,150 ($62,760), of which £2,000 went to men’s singles champion Rod Laver and £750 went to women’s singles winner Billie Jean King. The singles titles at the first U.S. Open, with a total purse of $100,000, were won by Arthur Ashe, the sport’s first black male champion, and Wade. Within two decades the major championships had multimillion-dollar purses, and top players could expect to earn in excess of $1,000,000 a year on the court alone. Laver became the first player to sweep the major titles a second time and the first to do so as a professional.
The transition years from quasi-amateurism to full-fledged professional tennis were rife with political disputes and lawsuits for control of what had become a big-money sport. Both male and female players formed guilds—the men’s Association of Tennis Professionals (ATP) and the Women’s Tennis Association (WTA), which in 1986 became the Women’s International Tennis Association (WITA). Previous player unions had been ineffective, but the ATP showed itself a potent political force when the majority of its members boycotted Wimbledon in 1973 in a dispute over the eligibility of the Yugoslav pro Nikki Pilic. The women’s union proved similarly unified. The women have had a separate pro tour, except at the major championships, since 1971.
The first few seasons of open tennis were ruled by players who were products of the old system and reflected its behavioral standards and norms. These included the compact, classical Rosewall, the Australian John Newcombe, and the Americans Arthur Ashe and Stan Smith.
As television, in America and later worldwide, became an increasingly significant force in tennis, a new breed of flamboyant and often flippant, cocky, and quick-tempered player developed. Among them was Ilie Nastase—a dark, handsome, mercurial Romanian noted for his rapid mood swings. While winning the 1972 U.S. Open, the 1973 French Open, and four Masters titles, he created chaos and controversy on the court with colourful, and occasionally off-colour, tantrums and tirades. He was perhaps an influence on Jimmy Connors, a brash American whose aggressive, blood-and-guts, all-court style and feisty temperament captivated audiences whether they loved or loathed him. In 1974 Connors won Wimbledon, the Australian Open, and the U.S. Open. In an intensely competitive era that produced short careers, Connors enjoyed extraordinary longevity at the top. He won Wimbledon again in 1982, the U.S. Open four more times, and the WCT Championship in 1977 and 1980.
Following the fiery Connors as the dominant player was the relatively cool Björn Borg, who led Sweden to its first triumph in the Davis Cup in 1975. Practically unbeatable on slow clay, he won the French Open six times between 1974 and 1981 and remarkably adapted his game to fast grass, adding a sledgehammer serve and underspin approach shot, to win Wimbledon five years running, 1976–80. No player had done that since the champion had to play through the draw, starting in 1922. The American John McEnroe ended Borg’s Wimbledon reign in 1981 and beat him in the 1980–81 U.S. Open finals. Between 1979 and 1984 McEnroe, a torrid-tempered left-hander of exquisite athleticism and racket control, won Wimbledon three times, the U.S. Open four times, the Masters three times, and the WCT Championship four times.
The balance of power in men’s tennis shifted back to Europe in the 1980s. Borg inspired a new wave of players in Sweden. A sophisticated junior-development system created a group of Swedish players—led by 1982, 1985, and 1988 French Open champion Mats Wilander. Another European country with a long tennis tradition that reached new heights in the 1980s was Czechoslovakia. One of the foremost players and coaches in Europe in the 1920s and ’30s was the Czech Karel Kozeluh. Czechoslovakia produced men’s Wimbledon champions Jaroslav Drobny in 1954 and Jan Kodeš in 1973. Among the players to come out of Czechoslovakia’s player-development system and become dominant in the 1970s and ’80s were Martina Navratilova, who became a U.S. citizen; Hana Mandlikova, who became an Australian citizen in 1987; and Ivan Lendl, who took up residence in the United States. The European tennis boom of the 1980s also swept through West Germany, which produced Boris Becker, who won the Wimbledon singles in 1985 at age 17 (the youngest man and first unseeded player to do so), and Steffi Graf, who in 1987 ended Navratilova’s five-year reign as the top-ranked woman in tennis and in 1988 won the Grand Slam, becoming the first woman to do so since Margaret Court in 1970.
Graf’s emergence also ended an extraordinary streak by the American Chris Evert, who had won at least one of the Grand Slam singles titles for 13 consecutive years, 1974–86, an unprecedented feat. A paragon of backcourt consistency and controlled temperament, Evert was the perfect contrast in both style and personality to several net-rushing rivals: the Australian Evonne Goolagong, who won her first Wimbledon in 1971 at age 19, Billie Jean King, and Navratilova, whom Evert played in 13 Grand Slam finals in one of the game’s greatest rivalries. Evert, probably more than anyone, popularized the two-handed backhand, and she made a steady baseline game the prevalent style of a whole generation of women players.
During the 1990s Steffi Graf collected 14 of her 21 career Grand Slam singles titles. Tall and athletic, Graf used powerful ground strokes and excellent court coverage to dispatch opponents. Her primary rival during this period was Yugoslavia’s Monica Seles, who collected seven Grand Slam titles between 1990 and 1992. Though Graf retired in 1999, the women’s tour still boasted exceptional competition and talented players, such as Martina Hingis of Switzerland (winner of five major titles before the age of 20) and American Lindsay Davenport, who won titles at the U.S. Open (1998), Wimbledon (1999), and the Australian Open (2000). At the turn of the century, sisters Venus and Serena Williams of the United States emerged as a new force on the women’s tour. Serena won the U.S. Open in 1999, 2002, and 2008; the French Open in 2002; Wimbledon in 2002, 2003, 2009, 2010, and 2012; and the Australian Open in 2003, 2005, 2007, 2009, and 2010. Venus won Wimbledon five times (2000–01, 2005, 2007–08), the U.S. Open twice (2000–01), and an Olympic gold medal in tennis (2000). The sisters were credited with popularizing the sport among African Americans.
The men’s game increasingly emphasized athleticism and power in the 1990s. Pete Sampras of the United States best epitomized this style of play, using devastating serves and ground strokes, along with exceptional agility, to claim a record-setting 14 Grand Slam titles; the record was later surpassed by Roger Federer of Switzerland. Players such as Patrick Rafter of Australia, Sweden’s Stefan Edberg, and Russian Yevgeny Kafelnikov also claimed their share of major titles during the decade, but Andre Agassi surfaced as Sampras’s primary rival. Agassi won singles titles at the Australian Open (1995, 2000–01, 2003), the French Open (1999), Wimbledon (1992), and the U.S. Open (1994, 1999) and finished the 1999 season as the top-ranked player on the tour. In the early 21st century, Federer emerged as one of the game’s dominant players. He won an unprecedented 17 men’s singles Grand Slam championships—seven Wimbledon titles (2003–07, 2009, and 2012), five U.S. Opens (2004–08), four Australian Opens (2004, 2006–07, and 2010), and one French Open (2009). One of Federer’s main rivals was Rafael Nadal of Spain. Although initially thought of as a clay-court specialist—he captured a record seven French Open titles (2005–08 and 2010–12)—Nadal also won at Wimbledon (2008 and 2010), the Australian Open (2009), and the U.S. Open (2010).